1. Hitching Rides with Buddha by Will Ferguson. Recommended by Patricia Vining. I loved this introduction to Japan through Will Ferguson’s insight filled eyes.
2. Meeting Japan by Fosco Mariani. A personal introduction to its people, their culture, and their history.
“the most famous and venerable Kabayaki-ya in Tokyo” at the time. “Our dinner of eels lasted a long time, we drank more sake, and reached that happy state of vagueness about the exact relations of spacial coordinates that leads to the opening of hearts.”
3. Lost Japan by Alex Kerr ...
Alex Kerr, born in Maryland, is an expert on Japanese art and culture who also writes and lectures in Japanese. He moved to Japan in 1977. You can stay at his Chiiori (House of the Flute). Once abandoned and decomposing, Alex has completely restored this exceptional traditional Edo period (1600-1868) beautifully thatched Minka farmhouse. Chiiori is on my list!
Become a time traveler. Imagine staying in a Japanese home built 300 years ago (in the Tokugawa period also know as Edo!) Take your entire family, Chiiori sleeps 10! For reservations, click HERE! And click HERE for the Chiiori Project. Kerr thought he was restoring a thatched Minka home, but Chiiori was a passageway into another universe, the traditional crafts and culture of a Japan almost lost in the mists of time. This is no time machine, but you’ll awaken your first Chiiori morning 300 years in the past. Will we ever see you again? Click HERE for a time traveler’s peek. By the way... you too can buy a beautiful home in Japan. Stay tuned, or scroll down to #15.
“ Wabi Sabi is a way of seeing the world that is at the heart of Japanese culture. It finds beauty and harmony in what is simple, imperfect, natural, modest, and mysterious... It may best be understood as a feeling, rather than as an idea.”
The Gassan Tradition by Morihiro Ogawa.
Of all the books I’ve encountered about Japan, I treasure this one the most because it was a gift from the Master Swordsmith Gassan Sadatoshi.
Sadatoshi’s father Gassan Sadaichi holds the title Living National Treasure: Important Intangible Cultural Property.
Sadaichi-san was making swords when General Douglas McArthur, commander of the Allied Occupational Forces ruled that: “the Japanese sword, as lethal weapons, be prohibited not only in production but also in individual possession.” Thus began a very dark age in the art of making Japanese swords. The prohibition deprived them a means of living and was finally repealed repealed in 1954 after 9 years but not before large numbers of craftsmen went out of business or were forced into crafting kitchen knives. By the time the Japanese economy turned upward in 1960 Japanese swords gained increasing interest as art objects.
In 2015, Yoshio Murakami had arranged for our small group to visit with Gassan Sadatoshi in 2015. I felt honored and humbled to chat with him through the Akiko my friend and interpreter.
“Swords are not for fighting.” --Gassan Sadatoshi told us during that wonderful visit.
We talked into the afternoon over tea and pastries. I told Gassan about Bushido in the Classroom, my thinking as a teacher in California public schools. Samurai tenets I believe are the fabric of my classroom teaching beyond science content: of honor, serenity, compassion, calmness, fairness, justice, sincerity, responsibility, frugality, politeness, modesty, loyalty, harmony, tranquility, courage, respect, honesty and duty. I wish my students to aspire to these attributes and I embed them in the teaching in my classes.
The concept of Bushido in the Classroom had precipitated in the 10 years following my Japan Fulbright trips in 2005/2006 and the idea sparked an interest in Sadatoshi. I shared my dream of writing Modern Bushido in the Classroom, as a curriculum project. For most people the words Bushido and Samurai conjure war and violence, but I’ve come to realize that these are mostly media images that sell movies. The percentage of time Samurai historically spent in battle was less than 5% of their time according to one estimate. The rest of the time a Samurai’s life was consumed with family, calligraphy, art, poetry and leading by example the tenets of honor, respect, courage, honesty, sincerity and compassion.
君たちは どう生きるか
How Do You Live? This Japanese classic shines a light upon how we find our place in the world.
It is about to be made into Hayao Miyazaki’s last film.
I had an epiphany this morning that bridges Yoshino’s book to a Japanese phrase I heard at my first homestay in Japan... itadakimasu, before eating a meal. I was told that it is a “thank you” to the gods of the animals and plants from where our meal was derived. That it also included a thank you to all those who helped bring the food to our table. Now when I am about to begin my serving of rice I thank the gods of the rice, the farmers who worked from before dawn each morning, the people that made the tools used by that farmer, the drivers that carried the rice to market, the person who stacked the market shelves, the cashier, the box girl, the people that built the grocery store... next time I’ll continue with thanks to the iron gods, the people who made the steel used in the machines to transport the rice and those who harvested it, the people who made the chopsticks, the gods that watched over the chopstick trees, the people who made the chopstick making machines and those who repair those machines, and thank you to all the families of the people who gave us the hard working people involved all the way back to the rice. Oh thank you to the gods of sun, wind and rain that all helped the rice to grow.
Granted it was a shorter itadakimasu that I first heard but I understood the message: “be thankful to all the people who make our meal possible.” and on a more global level, thank you to all those making life itself not only livable, but meaningful.
So when Copper, one of the two main characters in the book discovers the Net Rule of Human Particle Relations, you will see echoes of itadakimas.
“No woman in the 300 year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling. But I feel it is time to speak out. I want you to know what it is like to really live the life of a Geisha. My experiences as a gieko.”
Mineko-san, was a gieko (woman of art) designated as a atotori, an heir to the house, a successor much like a highly educated CEO. She closed her Gieko Okiya Iwasaki, one of the best in Japan, at the age of 30, at the height of her success after trying to effect reforms to increase educational opportunities, financial independence, and the professional rights of giekos in Kyoto.
16. Click HERE to learn how to buy a home in Japan.
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